Created by blending an analog synth that provides a low layer with a few other high pads to provide the shimmery high end that keeps it interesting. Great for softer moments. 12 minute long audio files. Available in both WAV and MP3 files. No fancy software required. Import into your DAW of choice or simply play it from any audio player/computer. Full description below.
Created by blending an analog synth that provides a low layer with a few other high pads to provide the shimmery high end that keeps it interesting. Great for softer moments.
12 minute long audio files. Available in both WAV and MP3 files. No fancy software required. Import into your DAW of choice or simply play it from any audio player/computer.
These pads are not tied to a tempo, chord progression or time signature, works great in any situation.
e.g. Play the A pad and play along any song that’s in the key of A, and since these pads are not tied to a tempo or time signature, you can play a faster song or a slow one or switch from 4/4 to 6/8
Coming from a classical music background, I was initially hesitant to use ambient pads. You know the deal, “I’m classically trained, so everything should be played live, by a human being!” However, after playing 2nd keys on a couple of occasions at my church, and literally only playing 6-8 notes per song, I realized I could get the same effect with an ambient pad which leaves me free to cover other instruments and/or sing and lead with less on my plate. I now own 3 pad collections from That Worship Sound – Motion Pads, Cello Pads, and Mellow Pads. They were purposely chosen because of the musical ground I can cover with them. The Mellow Pads are just that – mellow, less depth, without calling too much attention to itself. It’s great for adding that little layer in the background of a quiet, mellow (There’s that word again!) song, especially at the beginning and end of the track. It basically disappears in the middle of the song, which is exactly what I was looking for. Because it’s less sonically dense compared to the Motion Pads collection, it also lends itself well to solo and duos, with guitar or piano only accompaniment.
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Juan Pineda (verified owner) –
Coming from a classical music background, I was initially hesitant to use ambient pads. You know the deal, “I’m classically trained, so everything should be played live, by a human being!” However, after playing 2nd keys on a couple of occasions at my church, and literally only playing 6-8 notes per song, I realized I could get the same effect with an ambient pad which leaves me free to cover other instruments and/or sing and lead with less on my plate. I now own 3 pad collections from That Worship Sound – Motion Pads, Cello Pads, and Mellow Pads. They were purposely chosen because of the musical ground I can cover with them. The Mellow Pads are just that – mellow, less depth, without calling too much attention to itself. It’s great for adding that little layer in the background of a quiet, mellow (There’s that word again!) song, especially at the beginning and end of the track. It basically disappears in the middle of the song, which is exactly what I was looking for. Because it’s less sonically dense compared to the Motion Pads collection, it also lends itself well to solo and duos, with guitar or piano only accompaniment.